| Issue | Title | |
| Vol 2, No 4 (2006) | The Cultural Capital of Sound: Québécité's Acoustic Hybridity | Abstract PDF |
| Julia Catherine Obert | ||
| Vol 8, No 2 (2013) | The David Livingstone Spectral Imaging Project | Details PDF |
| Thomas Hendriks | ||
| Vol 12, No 2 (2017) | The Dead are Quite Dumb Really! and other poems | Details PDF |
| Neha Soi, MCM DAV College for Women, Chandigarh | ||
| Vol 16, No 1 (2021) | The Death of Sympathy | Details PDF |
| Anju Sosan George | ||
| Vol 20, No 2 (2025) | The Decolonization of Queer Politics in Suniti Namjoshi’s Select Animal Fables: Locating “The Animal That Therefore I Am” | Abstract PDF |
| Samrita Sengupta Sinha | ||
| Vol 7, No 3 (2012) | The Diasporic Inheritance of 'Postmemory' and Immigrant Shame in the Novels of Larissa Lai | Abstract PDF |
| Malissa Phung | ||
| Vol 2, No 2 (2006) | The Discovery of Europe | Details HTML |
| Jane N. Downing | ||
| Vol 10, No 2 (2015) | The Empty Glass and The Return | Details PDF |
| Hazem Fadel | ||
| Vol 18, No 3 (2023) | The Future is Exceptionally Bright for African Literature | Details PDF |
| Chibueze Darlington Anuonye | ||
| Vol 7, No 1 (2012) | "The Game of Gravestone Country"; "Night of Exit"; "The Poet in a State of Emergency"; "The Book of Life" | Details PDF |
| JKS Makokha | ||
| Vol 4, No 3 (2008) | The Generation of Memoir | Details PDF |
| Dorothy Lane | ||
| Vol 12, No 2 (2017) | The Globalectics of Nationalism in CLR James’ and Michelle Cliff’s Writing | Abstract PDF |
| David W Hart, University of Wisconsin--La Crosse | ||
| Vol 4, No 4 (2008) | The Hidden Life of Things: Commodification, Imperialism, and Environmental Feminism in Arundhati Roy's The God of Small Things | Abstract PDF |
| Susan Marguerite Comfort | ||
| Vol 4, No 1 (2008) | The House With a Thousand Novels; Encroachment | Details PDF |
| Aruni Kashyap | ||
| Vol 4, No 2 (2008) | The Importance of Being Ethnic and the Value of Faking It | Abstract PDF |
| Carrie Dawson | ||
| Vol 10, No 2 (2015) | The Importance of Preserving Guyana’s Literary Heritage and Contemporary Literary Scene: An Interview with Young Guyanese Producer and Artist Yaphet Jackman about Upscale Poetry Readings in Georgetown, Guyana, and More | Abstract PDF |
| Stephanie May McKenzie | ||
| Vol 11, No 3 (2016) | The Importance of the Condominium Agreement in Season of Migration to the North | Abstract PDF |
| Douglas Eli Julien | ||
| Vol 9, No 2 (2014) | The Imprint of Partition on the Representation of Rape in Samina Ali’s Madras on Rainy Days | Abstract PDF |
| Nazia Akhtar | ||
| Vol 4, No 1 (2008) | The Journey Continues | Details PDF |
| Ashley Halpé | ||
| Vol 2, No 2 (2006) | The Junction Avenue Theatre Company's Sophiatown and the Limits of National Oneness | Abstract HTML |
| Gugu Hlongwane | ||
| Vol 14, No 3 & 4 (2019): Maritime Transmodernities | The Lascar | Abstract PDF |
| Tathagata Som | ||
| Vol 14, No 1 (2019) | The Last Lie of Pinocchio | Abstract PDF |
| Hicham Mahdjoub Araibi | ||
| Vol 1, No 2 (2005) | The Last Nawab | Details HTML |
| Iftekhar Sayeed | ||
| Vol 1, No 2 (2005) | The Last Wave | Details HTML |
| Ramani V Samaraweera | ||
| Vol 13, No 4 (2018) | The Lives of Others: Trauma and Precariousness in Sefi Atta's Everything Good Will Come | Abstract PDF |
| Kayode Omoniyi Ogunfolabi, Obafemi Awolowo University | ||
| Vol 18, No 1 & 2 (2023) | The Long Partition and the Many Faces of Violence | Abstract PDF |
| Prachi Ratra, Anjali Gera Roy | ||
| Vol 18, No 1 & 2 (2023) | The Making of the Goddess Durga in Bengal: Art, Heritage and the Public | Details PDF |
| C.S. Bhagya | ||
| Vol 13, No 2 (2018) | "The Man in a Safari Suit" | Abstract PDF |
| Anjali Gera Roy, IIT Kharagpur | ||
| Vol 18, No 4 (2023) | The Memory Flaneur in Teju Cole's Open City | Abstract PDF |
| Adebayo Sakiru | ||
| Vol 3, No 2 (2007) | "The Message Is Reaching a Lot of People": Proselytizing and the Video Films of Helen Ukpabio | Details PDF |
| Onookome Okome | ||
| Vol 19, No 3 (2024) | The Mysteries of Porto Vecchio | Details PDF |
| Bede Scott | ||
| Vol 13, No 3 (2018) | The Navigator; The Mother; The Merchant; Holy One | Details PDF |
| Les Wicks | ||
| Vol 3, No 3 (2007) | The Neo-Primitivist Turn: Critical Refletions on Alterity, Culture, and Modernity | Details PDF |
| Shaobo Sxie | ||
| Vol 19, No 4 (2024) | The New Age Indian novelist: A Conversation with Anees Salim | Abstract PDF |
| Md Jakir Hossain | ||
| Vol 8, No 3 & 4 (2013) | The Niger Delta Wetland, Illegal Oil Bunkering and Youth Identity Politics in Nigeria | Abstract PDF |
| Paul Ushang Ugor | ||
| Vol 4, No 2 (2008) | The "Non-Native Native" in V.S. Naipaul's A Bend in the River | Abstract PDF |
| Joseph Walunywa | ||
| Vol 12, No 1 (2017) | The Office of Literary Endeavours: Maree | Details PDF |
| Mark Roberts | ||
| Vol 2, No 2 (2006) | The Oriental Express | Details HTML |
| Michelle Baker | ||
| Vol 1, No 1 (2004) | The Other Burial Society | Details HTML |
| Pumla Dineo Gqola | ||
| Vol 15, No 1 (2020) | The Other Half | Details PDF |
| cyril dabydeen | ||
| Vol 2, No 4 (2006) | The Paradox of Return: Origins, Home and Identity in M.G. Vassanji's The Gunny Sack | Abstract PDF |
| Ashok K Mohapatra | ||
| Vol 9, No 4 (2014) | The Parapostcolonial: Interdisciplinary Perspectives and New Approaches | Abstract PDF |
| Sarah Pett, Anna Bocking-Welch, Isabelle Hesse | ||
| Vol 4, No 4 (2008) | The Perplexed Persona of Frantz Fanon's Peau noire, masques blancs | Abstract PDF |
| Jane Hiddleston | ||
| Vol 5, No 2 (2009) | The Porcelain; The Crow | Details PDF |
| Rizwan Akhtar | ||
| Vol 2, No 1 (2006) | The Postcolonial Condition: A Few Notes on the Quality of Historical Time in the Global Present | Abstract HTML |
| Sandro Mezzadra, Federico Rahola | ||
| Vol 11, No 1 (2016) | The Postcolonial Flâneur: Open City and the Urban Palimpsest | Abstract PDF |
| Alexander Greer Hartwiger | ||
| Vol 7, No 2 (2012) | The Postcolonial Subject in a Global Era: the Cultural Imaginary in Alan Duff’s Dreamboat Dad | Abstract PDF |
| Yanwei Tan | ||
| Vol 1, No 1 (2004) | The Reality of Brathwaite's Words: A Dialogue Between Genres | Abstract HTML |
| Christine J. Pagnoulle | ||
| Vol 16, No 1 (2021) | The Return of Bush Fallers: Cameroon Anglophone Fiction Responds to Clandestine Immigration | Abstract PDF |
| Kenneth Toah Nsah | ||
| Vol 13, No 4 (2018) | The Sea | Details PDF |
| Benjamin Kwakye | ||
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ISSN 1705-9100| Affiliated with 