| Issue | Title | |
| Vol 15, No 3 & 4 (2020) | Swahili Poetry’s Digital Geographies: WhatsApp and the Forming of Cultural Space | Abstract PDF |
| Meg Arenberg | ||
| Vol 14, No 3 & 4 (2019): Maritime Transmodernities | Swahili Transmodernity and the Indian Ocean Abdulrazak Gurnah’s Ethic of Community in By the Sea, Desertion, and Gravel Heart | Abstract PDF |
| Sreya Mallika Datta | ||
| Vol 10, No 2 (2015) | Symbolic Representations of Migrant Experience Through a Cartography of Objects in Contemporary Fiction | Abstract PDF |
| Rebecca Mary D'Arcy | ||
| Vol 7, No 4 (2012) | Sympathy for the Devil: (Re)Reading The Satanic Verses after 9/11 and Learning to Love the Monster (Within) | Abstract PDF |
| Lindsay Balfour | ||
| Vol 9, No 2 (2014) | Taming Trauma in the Land of the Million Martyrs: A Reading of Assia Djebar’s Algerian White | Abstract PDF |
| Lobna Ben Salem | ||
| Vol 2, No 3 (2006) | Ted Chamberlin Meets a Critic | Details PDF |
| Regna Darnell | ||
| Vol 11, No 2 (2016) | Telling Stories of Colonial Encounters: Kate Grenville’s The Secret River, The Lieutenant and Sarah Thornhill | Abstract PDF |
| Annalisa Pes | ||
| Vol 5, No 4 (2009) | The "swaying sense of things": Boey Kim Cheng and the Poetics of Imagined Transnational Space, Travel, and Movement | Abstract PDF |
| Angelia Poon | ||
| Vol 12, No 1 (2017) | "The 70s? This was a tough time": An Interview with Caryl Phillips | Details PDF |
| Josiane Ranguin, Université Paris 13-Sorbonne Paris Cité, France | ||
| Vol 14, No 1 (2019) | The Aesthetic through and beyond Capital: Speculations on Martin Wickramasinghe’s Gamperaḷiya and Virāgaya | Abstract PDF |
| Praveen Tilakaratne, University of Colombo, Sri Lanka | ||
| Vol 8, No 2 (2013) | The Amalek Factor: Child Soldiers and the Impossibility of Representation | Abstract PDF |
| Kenneth W Harrow | ||
| Vol 17, No 4 (2022) | The American nation in the late work of Samuel Huntington. The culture paradigm and the denial of race and ethnicity in the building of contemporary American nation-state | Abstract PDF |
| Rafael Antonio Rodrigues | ||
| Vol 2, No 4 (2006) | The Anxieties of Authorship in Malaysian and Singaporean Writings in English: Locating the English Language Writer and the Question of Freedom in the Postcolonial Era | Abstract PDF |
| Grace V.S. Chin | ||
| Vol 6, No 1 (2011) | The Apology and its Aftermath: National Atonement or the Management of Minorities? | Abstract PDF |
| Alia Somani | ||
| Vol 20, No 1 (2025) | The Apple Appetite, Les Pommes de Terre) | Abstract PDF |
| Hui Chien Ngoi | ||
| Vol 8, No 1 (2013) | The Best Non-Crier on Purley Avenue | Details PDF |
| Beverley Nambozo Nsengiyunva | ||
| Vol 4, No 1 (2008) | "The Biggest Callaloo Anybody Ever See": The Callaloo Metaphor in Robert Antoni's Divina Trace | Abstract PDF |
| Giselle Rampaul | ||
| Vol 18, No 3 (2023) | The Black Mirror Stage | Abstract PDF |
| Clint Burnham | ||
| Vol 5, No 3 (2009) | The Body as a Figurative Code in Luo Popular Culture, Vernacular Literature, and Systems of Thought | Abstract PDF |
| Benjamin M. O. Odhoji | ||
| Vol 17, No 4 (2022) | The Bushfallers | Details PDF |
| Kenneth Usongo | ||
| Vol 11, No 2 (2016) | The Cat in the House: Marechera Reads Hemingway | Abstract PDF |
| Alan Ramón Ward | ||
| Vol 4, No 1 (2008) | The Challenges of Aesthetic Populism: An Interview with Jean-Pierre Bekolo | Abstract PDF |
| Akin Adesokan | ||
| Vol 13, No 2 (2018) | The Clan Deity | Abstract PDF |
| Sreejith Varma | ||
| Vol 14, No 3 & 4 (2019): Maritime Transmodernities | The Contours of a Field: Literatures of the Indian Ocean | Abstract PDF |
| Anupama Mohan | ||
| Vol 10, No 1 (2015) | The Cosmopolitan Amaranth: A Postcolonial Ecology | Abstract PDF |
| Christopher Lloyd De Shield | ||
| Vol 2, No 4 (2006) | The Cultural Capital of Sound: Québécité's Acoustic Hybridity | Abstract PDF |
| Julia Catherine Obert | ||
| Vol 8, No 2 (2013) | The David Livingstone Spectral Imaging Project | Details PDF |
| Thomas Hendriks | ||
| Vol 12, No 2 (2017) | The Dead are Quite Dumb Really! and other poems | Details PDF |
| Neha Soi, MCM DAV College for Women, Chandigarh | ||
| Vol 16, No 1 (2021) | The Death of Sympathy | Details PDF |
| Anju Sosan George | ||
| Vol 7, No 3 (2012) | The Diasporic Inheritance of 'Postmemory' and Immigrant Shame in the Novels of Larissa Lai | Abstract PDF |
| Malissa Phung | ||
| Vol 2, No 2 (2006) | The Discovery of Europe | Details HTML |
| Jane N. Downing | ||
| Vol 10, No 2 (2015) | The Empty Glass and The Return | Details PDF |
| Hazem Fadel | ||
| Vol 18, No 3 (2023) | The Future is Exceptionally Bright for African Literature | Details PDF |
| Chibueze Darlington Anuonye | ||
| Vol 7, No 1 (2012) | "The Game of Gravestone Country"; "Night of Exit"; "The Poet in a State of Emergency"; "The Book of Life" | Details PDF |
| JKS Makokha | ||
| Vol 4, No 3 (2008) | The Generation of Memoir | Details PDF |
| Dorothy Lane | ||
| Vol 12, No 2 (2017) | The Globalectics of Nationalism in CLR James’ and Michelle Cliff’s Writing | Abstract PDF |
| David W Hart, University of Wisconsin--La Crosse | ||
| Vol 4, No 4 (2008) | The Hidden Life of Things: Commodification, Imperialism, and Environmental Feminism in Arundhati Roy's The God of Small Things | Abstract PDF |
| Susan Marguerite Comfort | ||
| Vol 4, No 1 (2008) | The House With a Thousand Novels; Encroachment | Details PDF |
| Aruni Kashyap | ||
| Vol 4, No 2 (2008) | The Importance of Being Ethnic and the Value of Faking It | Abstract PDF |
| Carrie Dawson | ||
| Vol 10, No 2 (2015) | The Importance of Preserving Guyana’s Literary Heritage and Contemporary Literary Scene: An Interview with Young Guyanese Producer and Artist Yaphet Jackman about Upscale Poetry Readings in Georgetown, Guyana, and More | Abstract PDF |
| Stephanie May McKenzie | ||
| Vol 11, No 3 (2016) | The Importance of the Condominium Agreement in Season of Migration to the North | Abstract PDF |
| Douglas Eli Julien | ||
| Vol 9, No 2 (2014) | The Imprint of Partition on the Representation of Rape in Samina Ali’s Madras on Rainy Days | Abstract PDF |
| Nazia Akhtar | ||
| Vol 4, No 1 (2008) | The Journey Continues | Details PDF |
| Ashley Halpé | ||
| Vol 2, No 2 (2006) | The Junction Avenue Theatre Company's Sophiatown and the Limits of National Oneness | Abstract HTML |
| Gugu Hlongwane | ||
| Vol 14, No 3 & 4 (2019): Maritime Transmodernities | The Lascar | Abstract PDF |
| Tathagata Som | ||
| Vol 14, No 1 (2019) | The Last Lie of Pinocchio | Abstract PDF |
| Hicham Mahdjoub Araibi | ||
| Vol 1, No 2 (2005) | The Last Nawab | Details HTML |
| Iftekhar Sayeed | ||
| Vol 1, No 2 (2005) | The Last Wave | Details HTML |
| Ramani V Samaraweera | ||
| Vol 13, No 4 (2018) | The Lives of Others: Trauma and Precariousness in Sefi Atta's Everything Good Will Come | Abstract PDF |
| Kayode Omoniyi Ogunfolabi, Obafemi Awolowo University | ||
| Vol 18, No 1 & 2 (2023) | The Long Partition and the Many Faces of Violence | Abstract PDF |
| Prachi Ratra, Anjali Gera Roy | ||
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