2025
Vol 20, No 1 (2025)
The Parsley Massacre aka Masak non Pésil (2 Oct. 1937) at Massacre River between the Dominican Republic and Haiti; photo credit: MPR News, 2018
2024
2023
Vol 18, No 4 (2023)
Muslim graves at Handsworth Cemetery, Birmingham.
Photo credit: John Robertson for The National, 29 December 2020
Photo credit: John Robertson for The National, 29 December 2020
2024
Vol 19, No 1 & 2 (2024)
Credit: GH Images Arist Concept of Water Bottles and Plastic Waste. 31 July 2023. Creative Commons CC0; 1.0.
2023
Vol 18, No 1 & 2 (2023)
Nicole Six & Paul Petritsch, Spatial Intervention (1), 2002 © Bildrecht, Vienna 2023
2022
Vol 17, No 1 (2022)
Ilya Repin, Reply to the Zaporozhian Cossacks, 1880-1891. Oil on Canvas, State Russian Museum, Saint Petersburg; the Yorck Project, distributed by DirectMedia Publishing; and Ukrainian soldiers recreating the famous reply, Imgur gallery, 3 March 2022
2021
Vol 16, No 3 (2021)
Government House, St John's, Newfoundland, 6 September 2021; photo credit: Ahmed El Gabbour (Basko)
2020
2019
Vol 14, No 2 (2019)
Palestinian side of the Wall, Bethlehem, Palestine, August 2016. Photo credit: Denijal Jegic
2020
Vol 15, No 3 & 4 (2020)
Photo credit: Olumide Bamgbelu, Lagos, Nigeria (detail), 20 December 2019; sourced from Unsplash.com
2021
2019
2018
Vol 13, No 4 (2018)
West Indies cricketers arrive in Australia. Image courtesy of State Library of New South Wales Australian Photographic Agency - 09536, FL1721111.
2019
Vol 14, No 3 & 4 (2019): Maritime Transmodernities
A bathymetric map of the Indian Ocean Region. Commons.wikimedia.org
2018
2020
2018
Vol 13, No 2 (2018)
Brendan Behan Poster, July 21st - 16th August 2009, The Pearse Centre, Dublin, Republic of Ireland
2017
Vol 12, No 3&4 (2017)
"Flight, Destination: Europe. Accident Sound Bodies" by Guillermo Galindo. documenta 14, Kassel. Photograph courtesy of Cecile Sandten
Vol 12, No 1 (2017)
Theresa Hak Kyung Cha's Dictee; Dictee Takes the Stage. Photograph by Soomi Kim. Eidetic Traces, WorldPress.com - 300x200
2016
2015
2014
Vol 9, No 1 (2014)
Tost and Rohu letterhead. Photograph by Kristin Hannaford, courtesy Australian Museum Archives.
Vol 9, No 4 (2014)
Front Endpaper/Front Flyleaf, Ulysses, (Hamburg: The Odyssey Press, 1932). The Library of Masud Khan. Photo reproduced with permission of the Hellenic Society of Psychoanalytic Psychotherapy, Athens, Greece.
2013
Vol 8, No 3 & 4 (2013)
Artist: Obol Andrew Jackson
Title: In bloom
Size: 15*12 inches
Artist statement: A young African myself, from Uganda, I created this flower to express the artistic consciousness of African youths. With roots in a dynamic past we are the seeds of Africa’s future.
A selection of Obol’s work can be viewed at http://obolandrew.deviantart.com/
Title: In bloom
Size: 15*12 inches
Artist statement: A young African myself, from Uganda, I created this flower to express the artistic consciousness of African youths. With roots in a dynamic past we are the seeds of Africa’s future.
A selection of Obol’s work can be viewed at http://obolandrew.deviantart.com/
Vol 8, No 1 (2013)
Graham Mort, "Ablutions At The Mosque"
Kano, Northern Nigeria" (2009)
3x4, 3.75 megabytes, 2560 x 1920 pixels
Kano, Northern Nigeria" (2009)
3x4, 3.75 megabytes, 2560 x 1920 pixels
2012
Vol 7, No 4 (2012)
Painting by Carol Archer and Loene Furler from the "Macao-Elsewhere" series of collaborative postcards (mixed media on paper, A5, 2011). The painting also appears on the cover of The Noise of Exchange: Twelve Australian Poets edited by Kit Kelen (Macao: ASM, 2011)
Vol 7, No 3 (2012)
A Huichol man harvesting corn (approx. 1910)
Photo from The Huichols: Primitive Artists By Robert Mowry Zingg (1938),
Plate XIII, p. 713.
Kind courtesy of Judy Butzine
http://artsCARE.org/huichol1.htm
Photo from The Huichols: Primitive Artists By Robert Mowry Zingg (1938),
Plate XIII, p. 713.
Kind courtesy of Judy Butzine
http://artsCARE.org/huichol1.htm
Vol 7, No 1 (2012)
"A Legacy of Perception"
Ro~Sa: Robin Assner and Sarah Nitschke
24x36, Inkjet Print, 2011
Ro~Sa: Robin Assner and Sarah Nitschke
24x36, Inkjet Print, 2011
2011
Vol 6, No 4 (2011)
Eva Lewarne, "Hope" (2010)
acrylic on canvas 40 x 40 inches
http://www.evalewarne.com
acrylic on canvas 40 x 40 inches
http://www.evalewarne.com
Vol 6, No 3 (2011)
"Chinatown Women"
Picture Courtesy of the 12th Annual Vancouver Chinatown Festival
Picture Courtesy of the 12th Annual Vancouver Chinatown Festival
Vol 6, No 2 (2011)
Richard Hanson, freelance photographer, "Regarding War 5: 'Nay Htoo.'" Sheffield (UK), 2008.
Hands and Karen-English dictionary of a refugee from Burma, now living in Sheffield. 'Nay Htoo' is a pseudonym. The image was taken in 2008 as part of a project at Lancaster University entitled 'Regarding War: Image/Text.'
http://www.hansonphoto.co.uk/
Hands and Karen-English dictionary of a refugee from Burma, now living in Sheffield. 'Nay Htoo' is a pseudonym. The image was taken in 2008 as part of a project at Lancaster University entitled 'Regarding War: Image/Text.'
http://www.hansonphoto.co.uk/
Vol 6, No 1 (2011)
David Revoy "Tsunami: Pictures for Japan"
Speedpainting, March 2011
2712x1386, size 924 KB
http://www.davidrevoy.com
Speedpainting, March 2011
2712x1386, size 924 KB
http://www.davidrevoy.com
2009
Vol 5, No 4 (2009)
Unknown Huichol artist, Sierra Madre Mountains, Mexico, 2000. 23 ½ inches square yarn painting attached to plywood frame with beeswax
Huichol Shamans drumming their requests to the gods and goddesses for wisdom as they care for the needs of the villagers. The deer act as the emissaries for this request.
Our thanks to Judy Butzine for her kind permission to use this artwork
Huichol Shamans drumming their requests to the gods and goddesses for wisdom as they care for the needs of the villagers. The deer act as the emissaries for this request.
Our thanks to Judy Butzine for her kind permission to use this artwork