Archives

2023

Cover Page

Vol 18, No 4 (2023)

Muslim graves at Handsworth Cemetery, Birmingham.
Photo credit: John Robertson for The National, 29 December 2020
Cover Page

Vol 18, No 3 (2023)

Mount Kilimanjaro, Tanzania; photo credit of detail: Endallah, 2023
Cover Page

Vol 18, No 1 & 2 (2023)

Nicole Six & Paul Petritsch, Spatial Intervention (1), 2002 © Bildrecht, Vienna 2023

2022

Cover Page

Vol 17, No 4 (2022)

Sasquatch postage stamp, Canada Post, 1990
Cover Page

Vol 17, No 2 & 3 (2022)

Photo credit: Pavan Malreddy; deserted Bastar village, Central India, 2016
Cover Page

Vol 17, No 1 (2022)

Ilya Repin, Reply to the Zaporozhian Cossacks, 1880-1891. Oil on Canvas, State Russian Museum, Saint Petersburg; the Yorck Project, distributed by DirectMedia Publishing; and Ukrainian soldiers recreating the famous reply, Imgur gallery, 3 March 2022

2021

Cover Page

Vol 16, No 4 (2021)

1966 East African Publishing House Edition; photo credit: Prof. Simon Gikandi
Cover Page

Vol 16, No 3 (2021)

Government House, St John's, Newfoundland, 6 September 2021; photo credit: Ahmed El Gabbour (Basko)
Cover Page

Vol 16, No 2 (2021)

A woman lighting up a chiraagh at a Sufi shrine, Lahore, Pakistan, 2017

2020

Brixton riots 10 April 1981, England (detail)

Vol 15, No 2 (2020)

Brixton Riots, 10 April 1981, England (detail)

2019

Cover Page

Vol 14, No 2 (2019)

Palestinian side of the Wall, Bethlehem, Palestine, August 2016. Photo credit: Denijal Jegic

2020

Cover Page

Vol 15, No 3 & 4 (2020)

Photo credit: Olumide Bamgbelu, Lagos, Nigeria (detail), 20 December 2019; sourced from Unsplash.com

2021

Cover Page

Vol 16, No 1 (2021)

Singapore Book Fair, 2019

2019

Luvungi, Democratic Republic of the Congo, 8 September 2010

Vol 14, No 1 (2019)

Luvungi, Democratic Republic of the Congo, 8 September 2010

2018

Cover Page

Vol 13, No 4 (2018)

West Indies cricketers arrive in Australia. Image courtesy of State Library of New South Wales Australian Photographic Agency - 09536, FL1721111.

2019

Cover Page

Vol 14, No 3 & 4 (2019): Maritime Transmodernities

A bathymetric map of the Indian Ocean Region. Commons.wikimedia.org

2018

Cover Page

Vol 13, No 3 (2018)

Colonial Singapore

2020

Cover Page

Vol 15, No 1 (2020)

Cod on a 1932 Newfoundland postage stamp.

2018

Cover Page

Vol 13, No 2 (2018)

Brendan Behan Poster, July 21st - 16th August 2009, The Pearse Centre, Dublin, Republic of Ireland
Cover Page

Vol 13, No 1 (2018)

Iraqi woman with v-ink, Basra elections, 31 January 2009

2017

Cover Page

Vol 12, No 3&4 (2017)

"Flight, Destination: Europe. Accident Sound Bodies" by Guillermo Galindo. documenta 14, Kassel. Photograph courtesy of Cecile Sandten
Cover Page

Vol 12, No 2 (2017)

The Boab Prison Tree, Derby, Australia
Cover Page

Vol 12, No 1 (2017)

Theresa Hak Kyung Cha's Dictee; Dictee Takes the Stage. Photograph by Soomi Kim. Eidetic Traces, WorldPress.com - 300x200

2016

Cover Page

Vol 11, No 4 (2016)

Disgrace, Tribeca Film Festival, 2008
Cover Page

Vol 11, No 3 (2016)

Derelict Art Deco mansion, Hong Kong
Cover Page

Vol 11, No 2 (2016)

"Cats on Rainy Day" - Pinterest, 2016
Cover Page

Vol 11, No 1 (2016)

Hands with oil, Uganda. www.globalwitness.org

2015

Cover Page

Vol 10, No 3 & 4 (2015)

Palm Leaf Manuscript, Sri Lanka, Australian Museum
Cover Page

Vol 10, No 2 (2015)

Sewing machine with books
Cover Page

Vol 10, No 1 (2015)

Hanging Amaranthus

2014

Cover Page

Vol 9, No 3 (2014)

Mumbai's Dharavi slum
Cover Page

Vol 9, No 2 (2014)

Sculpting in clay, Madsculptor
Cover Page

Vol 9, No 1 (2014)

Tost and Rohu letterhead. Photograph by Kristin Hannaford, courtesy Australian Museum Archives.
Cover Page

Vol 9, No 4 (2014)

Front Endpaper/Front Flyleaf, Ulysses, (Hamburg: The Odyssey Press, 1932). The Library of Masud Khan. Photo reproduced with permission of the Hellenic Society of Psychoanalytic Psychotherapy, Athens, Greece.

2013

Cover Page

Vol 8, No 3 & 4 (2013)

Artist: Obol Andrew Jackson
Title: In bloom
Size: 15*12 inches
Artist statement: A young African myself, from Uganda, I created this flower to express the artistic consciousness of African youths. With roots in a dynamic past we are the seeds of Africa’s future.
A selection of Obol’s work can be viewed at http://obolandrew.deviantart.com/
Cover Page

Vol 8, No 2 (2013)

Red Shoes by JWT San Juan for Amnesty International, 2008
Cover Page

Vol 8, No 1 (2013)

Graham Mort, "Ablutions At The Mosque"
Kano, Northern Nigeria" (2009)
3x4, 3.75 megabytes, 2560 x 1920 pixels

2012

Cover Page

Vol 7, No 4 (2012)

Painting by Carol Archer and Loene Furler from the "Macao-Elsewhere" series of collaborative postcards (mixed media on paper, A5, 2011). The painting also appears on the cover of The Noise of Exchange: Twelve Australian Poets edited by Kit Kelen (Macao: ASM, 2011)
Cover Page

Vol 7, No 3 (2012)

A Huichol man harvesting corn (approx. 1910)

Photo from The Huichols: Primitive Artists By Robert Mowry Zingg (1938),
Plate XIII, p. 713.
Kind courtesy of Judy Butzine
http://artsCARE.org/huichol1.htm
Cover Page

Vol 7, No 2 (2012)

Kit Kelen
"failed to square"
20cm x 20 cm, acrylic on board
2012
Cover Page

Vol 7, No 1 (2012)

"A Legacy of Perception"
Ro~Sa: Robin Assner and Sarah Nitschke
24x36, Inkjet Print, 2011

2011

Cover Page

Vol 6, No 4 (2011)

Eva Lewarne, "Hope" (2010)
acrylic on canvas 40 x 40 inches
http://www.evalewarne.com
Cover Page

Vol 6, No 3 (2011)

"Chinatown Women"
Picture Courtesy of the 12th Annual Vancouver Chinatown Festival
Cover Page

Vol 6, No 2 (2011)

Richard Hanson, freelance photographer, "Regarding War 5: 'Nay Htoo.'" Sheffield (UK), 2008.

Hands and Karen-English dictionary of a refugee from Burma, now living in Sheffield. 'Nay Htoo' is a pseudonym. The image was taken in 2008 as part of a project at Lancaster University entitled 'Regarding War: Image/Text.'

http://www.hansonphoto.co.uk/
Cover Page

Vol 6, No 1 (2011)

David Revoy "Tsunami: Pictures for Japan"
Speedpainting, March 2011
2712x1386, size 924 KB
http://www.davidrevoy.com

2009

Cover Page

Vol 5, No 4 (2009)

Unknown Huichol artist, Sierra Madre Mountains, Mexico, 2000. 23 ½ inches square yarn painting attached to plywood frame with beeswax

Huichol Shamans drumming their requests to the gods and goddesses for wisdom as they care for the needs of the villagers. The deer act as the emissaries for this request.

Our thanks to Judy Butzine for her kind permission to use this artwork
Peterson Kamwathi, untitled (Peacebrokers) (charcoal on soft pastel paper; 243.8 cm by 152.4 cm)

Vol 5, No 3 (2009)

Peterson Kamwathi, untitled (Peacebrokers) charcoal on soft pastel paper; 243.8 cm by 152.4 cm

"Peacebrokers" refers to the diplomats and negotiators who mediated between the conflicting political parties in the Kenyan post-election dispute and violence, December 2007-February 2008. A selection of Kamwathi's work can be viewed at the following website: www.kamwathi.com.
Cover Page

Vol 5, No 2 (2009)

Adam Marczukiewicz "Opuncje szmaragdowe" olej/plótno 100 x 70 cm
10 October 1996
Cover Page

Vol 5, No 1 (2009)

"Talking Drums" Beaded Painting by Jimoh Buraimoh, Oshogbo, Nigeria. 1.07 MB
The Bead Museum Collection, Glendale, Arizona.
Grateful acknowledgement to Judy Butzine (Photographer)

2008

Cover Page

Vol 4, No 4 (2008)

Kit Kelen, The Pastel Blur of Greed
A4 - ink and watercolour on paper, 2008

1 - 50 of 63 Items     1 2 > >>