| Issue | Title | |
| Vol 15, No 2 (2020) | Conservative Aesthetics and Radical Politics in the Early Work of Ngũgĩ wa Thiong’o | Abstract PDF |
| Craig Mitchell Smith | ||
| Vol 4, No 2 (2008) | Converging Latitudes | Details PDF |
| Mary Laura Griffin | ||
| Vol 7, No 4 (2012) | "Cords and Trunks": An Interview with Melanie Schwapp and a Discussion of Dew Angels | Abstract PDF |
| Stephanie May McKenzie | ||
| Vol 17, No 1 (2022) | Cracks in the Separation Wall: Resisting Security and Global Problems of Truth in Khaled Jarrar’s Film Infiltrators | Abstract PDF |
| Jared Gee | ||
| Vol 4, No 4 (2008) | Creative and Cultural Identity in the Work of Anson Gonzalez: A Study of Proseleela, Chela Quest, and Crossroads of Dream as Spiritual and Literary Autobiography | Abstract PDF |
| Cynthia James | ||
| Vol 4, No 2 (2008) | Creolization and the Collective Unconscious: Locating the Originality of Art in Wilson Harris's Jonestown, The Mask of the Beggar and The Ghost of Memory. | Abstract PDF |
| Lorna M Burns | ||
| Vol 13, No 3 (2018) | Crime, Violence and Identity Conflicts in Karen Campbell’s Shadowplay (2010) and Ahmed Mourad’s The Blue Elephant (2012): (Re) defining the Self and the Other | Abstract PDF |
| Jihan Zakarriya | ||
| Vol 11, No 2 (2016) | Crossing Borders in Partition Studies and the Question of the Bangladesh Liberation War | Abstract PDF |
| Louise Harrington | ||
| Vol 15, No 2 (2020) | Crossroad | Abstract PDF |
| Suha Kudsieh | ||
| Vol 11, No 1 (2016) | Crude Fictions: How New Nigerian Short Stories Sabotage Big Oil’s Master Narrative | Abstract PDF |
| Helen Kapstein | ||
| Vol 9, No 2 (2014) | Cycles of Violence: Ancestral Subtexts in Gayl Jones’ Corregidora | Abstract PDF |
| Maja Milatovic | ||
| Vol 14, No 2 (2019) | Daddy's Little Ploy | Details PDF |
| Garhe Osiebe | ||
| Vol 18, No 3 (2023) | Damning the Colossus: Olive Schreiner’s Imperialist Critique in Trooper Peter Halket of Mashonaland | Abstract PDF |
| Jitender Gill | ||
| Vol 1, No 1 (2004) | Dance in the British South Asian Diaspora: Redefining Classicism | Abstract HTML |
| Alessandra Lopez y Royo | ||
| Vol 2, No 4 (2006) | Dances with Coyote: Narrative Voices in One Good Story, That One | Abstract PDF |
| Maria Truchan-Tataryn, Susan Alison Gingell | ||
| Vol 2, No 2 (2006) | David Malouf: Exploring Imperial Textuality | Abstract HTML |
| Saadi Norman Nikro | ||
| Vol 4, No 1 (2008) | David Malouf: From Nation to Cosmopolitan Narration | Details PDF |
| Victor Clifford Oost | ||
| Vol 5, No 4 (2009) | Dealing with Another Culture's Ghosts: Diaspora and Contact Zones in M. G. Vassanji's The Book of Secrets | Abstract PDF |
| David WF Mount | ||
| Vol 6, No 4 (2011) | Decolonizing National Consciousness Redux: Ousmane Sembène's Xala as Transhistorical Critique | Abstract PDF |
| Vartan Messier | ||
| Vol 2, No 2 (2006) | Deconstructing Home and Exile: The Subversive Politics of Tahar Ben Jelloun's With Downcast Eyes | Abstract HTML |
| Salah M. Moukhlis | ||
| Vol 14, No 1 (2019) | Desire | Details PDF |
| Md Mujib Ullah | ||
| Vol 3, No 1 (2007) | Desiring the Metropolis: The Anti-Aesthetic and Semicolonial Modernism | Abstract PDF |
| Saikat Majumdar | ||
| Vol 5, No 1 (2009) | Dialogical Theology as Politics in Mongo Beti, Wewere Liking, and Chinua Achebe | Abstract PDF |
| Ashton Nichols | ||
| Vol 15, No 3 & 4 (2020) | Digital Diaries, Dreams and Drama: Southern African New Media Literatures and The Dream of a Kwanyama Girl | Abstract PDF |
| Martha Ndakalako-Bannikov | ||
| Vol 15, No 3 & 4 (2020) | Digital Forms, Migrant Forms: Yaa Gyasi's Homegoing and Chimamanda Ngozi Adichie's Americanah | Abstract PDF |
| Bhakti Shringarpure | ||
| Vol 15, No 3 & 4 (2020) | Digital Obsolescence? Abandoned blogs in the francophone African literary field | Abstract PDF |
| Kristen Stern | ||
| Vol 15, No 3 & 4 (2020) | Digital Voices: Negotiating Global Forms & Local Identity in Performance Poetry from Cape Town | Abstract PDF |
| Susanna L. Sacks | ||
| Vol 4, No 1 (2008) | Dismantling the Gaze: Julia Margaret Cameron's Sri Lankan Photographs | Abstract PDF |
| Kanchanakesi Channa Warnapala | ||
| Vol 5, No 4 (2009) | Disseminating Shahrazad in Postcolonial Algeria | Abstract PDF |
| Anna Cavness | ||
| Vol 14, No 2 (2019) | Disturbing Natives? An Analysis of the Writings on Palestine's Wall | Abstract PDF |
| Denijal Jegic | ||
| Vol 19, No 3 (2024) | Dog-killings as Anti-Colonial Resistance in Contemporary Fiction from the Global South | Abstract PDF |
| Vihanga Perera | ||
| Vol 4, No 2 (2008) | "Don't Let Yourself Be Made Game Of": Yambo Ouologuem's Le Devoir de violence and the Game of Genre | Abstract PDF |
| Susan Gorman | ||
| Vol 1, No 1 (2004) | Durga Pooja | Details HTML |
| Jean Arasanayagam | ||
| Vol 7, No 3 (2012) | Dusk | Details PDF |
| Ananya Sankar Guha | ||
| Vol 10, No 2 (2015) | Dutiful Daughters (or not) and the Sins of the Fathers in Iqbalunnisa Hussain's Purdah and Polygamy | Abstract PDF |
| Teresa Hubel | ||
| Vol 15, No 1 (2020) | Earth and Windows | Details PDF |
| Sofiul Azam | ||
| Vol 2, No 1 (2006) | Editorial Note | Abstract HTML |
| John Willinsky, Ranjini Mendis | ||
| Vol 1, No 1 (2004) | Editorial Team Vol 1 No 1 Postcolonial Text | Details HTML |
| Ranjini Mendis | ||
| Vol 1, No 2 (2005) | Editorial Team: Vol 1 No 2 | Details HTML |
| Ranjini Mendis | ||
| Vol 2, No 1 (2006) | Editorial Team: Volume 2 No 1 (2006) Special Issue | Details HTML |
| Ranjini Mendis | ||
| Vol 15, No 2 (2020) | Editorial: In Trust We Trust | Abstract PDF |
| Chantal Zabus | ||
| Vol 1, No 1 (2004) | Edward Said's Untidiness | Abstract HTML |
| Victor Li | ||
| Vol 5, No 4 (2009) | e-Kerala Poems | Details PDF |
| Jennifer Anderson | ||
| Vol 14, No 1 (2019) | El Camino Real | Abstract PDF |
| Kristin Leonard | ||
| Vol 18, No 1 & 2 (2023) | Elementary Aspects of the Political: Histories from the Global South | Details PDF |
| Arnav Adhikari | ||
| Vol 16, No 1 (2021) | Elizabeth M. DeLoughrey. Allegories of the Anthropocene | Details PDF |
| A B M Monirul Huq | ||
| Vol 1, No 2 (2005) | Enacting Postcolonial Theory | Abstract HTML |
| Paul Sharrad | ||
| Vol 12, No 3&4 (2017) | (En)countering the Refugee: Capital, Óscar Martínez’s The Beast, and the “Problem” of the Surplus Population | Abstract PDF |
| Kanishka Chowdhury, University of St. Thomas in St. Paul, MN | ||
| Vol 12, No 2 (2017) | English as Racial Embodiment in Shirley Lim’s Joss and Gold | Abstract PDF |
| Michelle O'Brien, University of British Columbia | ||
| Vol 3, No 2 (2007) | Englishes & Englishes | Details PDF |
| Obododimma Oha | ||
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