| Enacting Postcolonial Theory |
Abstract
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Paul Sharrad |
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| Vexing Encounters: Uncanny Belonging and the Poetics of Alterity in Caryl Phillips's Cambridge |
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Maurizio Calbi |
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| "Between Mosaic and Melting Pot": Multiculturalism and Cultural Citizenship in Bharati Mukherjee |
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Sharmani Patricia Gabriel |
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| Arresting Metaphors: Anti-colonial Females in Australian Cinema |
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Anthony J Lambert |
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| Aesthetics of Subjectivty, Ethics of "Otherness": The Fiction of Shashi Deshpande |
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Saikat Majumdar |
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| A Linguistic Comparison of Haitian Creole and Louisiana Creole |
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Kirstin L Squint |
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| Set Adrift: Identity and the Postcolonial Present in Gould's Book of Fish |
Abstract
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Zach Weir |
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| How to Teach a Culturally Different Text |
Abstract
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Chelva Kanaganayakam |
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| On the Validity of the African Experience |
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Alnaaz Kassam |
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| Postcolonializing Trauma Studies |
Abstract
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Samuel Durrant |
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| Action and Romance (Postcolonial Style) |
Abstract
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Yasmine Gooneratne |
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| When East Meets West: A Sweet and Sour Encounter in Ang Lee's The Wedding Banquet |
Abstract
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Elisabetta Marino |
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| Intrusive Pasts, Intrusive Bodies: Achmat Dangor's Bitter Fruit |
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Helene Strauss |
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| afriCan, indians i have known, simulation, turkey red, tweak |
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vernyce dannells |
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| Intellectual Decolonization Through Writing |
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Deidra Suwanee Dees |
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| Editorial Team: Vol 1 No 2 |
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Ranjini Mendis |
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