2025
Vol 20, No 2 (2025)
Heinemann Editor Aig Higo's report to James Currey on S.O. Mezu's Behind the Rising Sun, 1 February 1970. Photo credit: University of Reading African Writers Series Publishing Archive
Vol 20, No 1 (2025)
The Parsley Massacre aka Masak non Pésil (2 Oct. 1937) at Massacre River between the Dominican Republic and Haiti; photo credit: MPR News, 2018
2024
2023
Vol 18, No 4 (2023)
Muslim graves at Handsworth Cemetery, Birmingham.
Photo credit: John Robertson for The National, 29 December 2020
Photo credit: John Robertson for The National, 29 December 2020
2024
Vol 19, No 1 & 2 (2024)
Credit: GH Images Arist Concept of Water Bottles and Plastic Waste. 31 July 2023. Creative Commons CC0; 1.0.
2023
Vol 18, No 1 & 2 (2023)
Nicole Six & Paul Petritsch, Spatial Intervention (1), 2002 © Bildrecht, Vienna 2023
2022
Vol 17, No 1 (2022)
Ilya Repin, Reply to the Zaporozhian Cossacks, 1880-1891. Oil on Canvas, State Russian Museum, Saint Petersburg; the Yorck Project, distributed by DirectMedia Publishing; and Ukrainian soldiers recreating the famous reply, Imgur gallery, 3 March 2022
2021
Vol 16, No 3 (2021)
Government House, St John's, Newfoundland, 6 September 2021; photo credit: Ahmed El Gabbour (Basko)
2020
2019
Vol 14, No 2 (2019)
Palestinian side of the Wall, Bethlehem, Palestine, August 2016. Photo credit: Denijal Jegic
2020
Vol 15, No 3 & 4 (2020)
Photo credit: Olumide Bamgbelu, Lagos, Nigeria (detail), 20 December 2019; sourced from Unsplash.com
2021
2019
2018
Vol 13, No 4 (2018)
West Indies cricketers arrive in Australia. Image courtesy of State Library of New South Wales Australian Photographic Agency - 09536, FL1721111.
2019
Vol 14, No 3 & 4 (2019): Maritime Transmodernities
A bathymetric map of the Indian Ocean Region. Commons.wikimedia.org
2018
2020
2018
Vol 13, No 2 (2018)
Brendan Behan Poster, July 21st - 16th August 2009, The Pearse Centre, Dublin, Republic of Ireland
2017
Vol 12, No 3&4 (2017)
"Flight, Destination: Europe. Accident Sound Bodies" by Guillermo Galindo. documenta 14, Kassel. Photograph courtesy of Cecile Sandten
Vol 12, No 1 (2017)
Theresa Hak Kyung Cha's Dictee; Dictee Takes the Stage. Photograph by Soomi Kim. Eidetic Traces, WorldPress.com - 300x200
2016
2015
2014
Vol 9, No 1 (2014)
Tost and Rohu letterhead. Photograph by Kristin Hannaford, courtesy Australian Museum Archives.
Vol 9, No 4 (2014)
Front Endpaper/Front Flyleaf, Ulysses, (Hamburg: The Odyssey Press, 1932). The Library of Masud Khan. Photo reproduced with permission of the Hellenic Society of Psychoanalytic Psychotherapy, Athens, Greece.
2013
Vol 8, No 3 & 4 (2013)
Artist: Obol Andrew Jackson
Title: In bloom
Size: 15*12 inches
Artist statement: A young African myself, from Uganda, I created this flower to express the artistic consciousness of African youths. With roots in a dynamic past we are the seeds of Africa’s future.
A selection of Obol’s work can be viewed at http://obolandrew.deviantart.com/
Title: In bloom
Size: 15*12 inches
Artist statement: A young African myself, from Uganda, I created this flower to express the artistic consciousness of African youths. With roots in a dynamic past we are the seeds of Africa’s future.
A selection of Obol’s work can be viewed at http://obolandrew.deviantart.com/
Vol 8, No 1 (2013)
Graham Mort, "Ablutions At The Mosque"
Kano, Northern Nigeria" (2009)
3x4, 3.75 megabytes, 2560 x 1920 pixels
Kano, Northern Nigeria" (2009)
3x4, 3.75 megabytes, 2560 x 1920 pixels
2012
Vol 7, No 4 (2012)
Painting by Carol Archer and Loene Furler from the "Macao-Elsewhere" series of collaborative postcards (mixed media on paper, A5, 2011). The painting also appears on the cover of The Noise of Exchange: Twelve Australian Poets edited by Kit Kelen (Macao: ASM, 2011)
Vol 7, No 3 (2012)
A Huichol man harvesting corn (approx. 1910)
Photo from The Huichols: Primitive Artists By Robert Mowry Zingg (1938),
Plate XIII, p. 713.
Kind courtesy of Judy Butzine
http://artsCARE.org/huichol1.htm
Photo from The Huichols: Primitive Artists By Robert Mowry Zingg (1938),
Plate XIII, p. 713.
Kind courtesy of Judy Butzine
http://artsCARE.org/huichol1.htm
Vol 7, No 1 (2012)
"A Legacy of Perception"
Ro~Sa: Robin Assner and Sarah Nitschke
24x36, Inkjet Print, 2011
Ro~Sa: Robin Assner and Sarah Nitschke
24x36, Inkjet Print, 2011
2011
Vol 6, No 4 (2011)
Eva Lewarne, "Hope" (2010)
acrylic on canvas 40 x 40 inches
http://www.evalewarne.com
acrylic on canvas 40 x 40 inches
http://www.evalewarne.com
Vol 6, No 3 (2011)
"Chinatown Women"
Picture Courtesy of the 12th Annual Vancouver Chinatown Festival
Picture Courtesy of the 12th Annual Vancouver Chinatown Festival
Vol 6, No 2 (2011)
Richard Hanson, freelance photographer, "Regarding War 5: 'Nay Htoo.'" Sheffield (UK), 2008.
Hands and Karen-English dictionary of a refugee from Burma, now living in Sheffield. 'Nay Htoo' is a pseudonym. The image was taken in 2008 as part of a project at Lancaster University entitled 'Regarding War: Image/Text.'
http://www.hansonphoto.co.uk/
Hands and Karen-English dictionary of a refugee from Burma, now living in Sheffield. 'Nay Htoo' is a pseudonym. The image was taken in 2008 as part of a project at Lancaster University entitled 'Regarding War: Image/Text.'
http://www.hansonphoto.co.uk/
Vol 6, No 1 (2011)
David Revoy "Tsunami: Pictures for Japan"
Speedpainting, March 2011
2712x1386, size 924 KB
http://www.davidrevoy.com
Speedpainting, March 2011
2712x1386, size 924 KB
http://www.davidrevoy.com