Reflections on Ghana’s Film Heritage: An Exclusive Conversation with Ernest Kofi Abbeyquaye

Francis Kwesi Gbormittah

Abstract


This paper features an exclusive, in-depth, conversation with Ernest Kofi Abbeyquaye, a pioneering figure in cinema and theatre of Ghana. It marks the beginning of a series of four conversations with key figures and contemporaries of Abbeyquaye, aimed at unearthing richer insights and nuances of Ghana’s indigenous film history, beyond what is typically presented in scholarly articles and books. The goal is to enhance understanding of African cinema, with a particular focus on Ghanaian filmmaking. The scope of this first conversation covers Abbeyquaye’s personal experiences, reflections on major projects, and his perspectives on the arts in social transformation, thus, offering a comprehensive view of his influence and legacy within the broader landscape of African cultural industries. This work contributes to a deeper appreciation of the artistic and cultural directions shaping contemporary African film, highlighting Abbeyquaye’s significant contributions to the evolution of Ghanaian and African performing arts, at large. This paper begins with a biographical overview, highlighting key milestones in his career, followed by methodological approach. The subsequent sections present combination of a transcribed interview and thematic narration, and conclusion. This systematic structure aims to provide a well-rounded understanding of Abbeyquaye’s contributions, influence and enduring legacy in the arts.

Keywords


Ghanaian cinema; African cinema; Ghana Film Industry Corporation; Ernest Abbeyquaye; Performing arts.

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DOI: https://doi.org/10.63260/pt.v20i2.3095