| "His Paper Family Knew Their Place": Diasporic Space in Wayson Choy's All That Matters |
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Alena Chercover |
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| From Imperialist Commerce and Cosmopolitan Modernity to Semicolonial China: Demystifying Work Abroad in Victorian East Asia |
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Tamara S. Wagner |
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| Kissing Fabulose Queens: The Fabulous Realism of Tomson Highway's Kiss of the Fur Queen |
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Andrew John Buzny |
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| Errant Subjectivities in Bharati Mukherjee's Fiction |
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Ubaraj Katawal |
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| Mapping Freedom, or Its Limits: The Politics of Movement in Sam Selvon’s The Lonely Londoners |
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Lisa M. Kabesh |
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| Bend Like the Grass: Ecofeminism in Kamala Markandaya's Nectar in a Sieve |
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Dana C. Mount |
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| Before the Law(s): Wole Soyinka’s Death and the King’s Horseman and the passages of 'bare life' |
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Eugene McNulty |
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| “A Vision Outside the System”: A Conversation with Faith Nolan about Social Activism and Black Music in Contemporary Canada |
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Nicole Birch-Bayley, Faith Nolan |
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| Postcolonial Travel Writing: Critical Explorations |
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Nishi Pulugurtha |
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| Commodifying (Post)Colonialism by Rainer Emig and Oliver Lindner (eds.) |
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Christopher R.B. Ward |
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| Art and the End of Apartheid by John Peffer |
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Karen Ramsay Johnson |
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| 'Because We Are Poor': Irish Theatre in the 1990s by Victor Merriman |
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Christina Wilson |
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